Thursday, October 30, 2003

Franco Corelli (1921 - 2003): Recollections and reflections

Since a lion's share of leading tenor roles, in the Italian rep especially, are either fighters or lovers -- when they aren't both -- any artist therefore who can fuse the two in one and the same voice is automatically rare and valuable. Possibly some of the keenest commentary on Corelli that I've yet read is Paul Jackson's in his second volume on the MET b'casts: he spotlights this mercurial aspect to Corelli's singing right away. For me, that is maybe Corelli's greatest asset. Simply contrasting his "Si, fui soldato" with his "Io non ho amato ancor" in Andrea Chenier makes this point better than anything I could say. More


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